| Brand |
IK Multimedia
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| Compatibility Info |
Envelope Controlled Reverb CSR Inverse Reverb Info Specs Images Audio TRY FREE TRY FREE ADD TO CART Envelope Controlled Reverb Processor Reverse reverbs were popularized in the 1980's. This type of reverb can be heard on many rock snare drums from this time period. A Reverse reverb applies an envelope (slow attack, fast decay) to the early reflections. The main parameter that affects the sound of this reverb is time. Time can be adjusted for the buildup and cut off of the early reflections. This affects the sound as if it was being reversed in the reverberation, but in actuality it is simply an envelope effect. This type of reverb has been heavily used on drums and percussion. It is also useful with vocals or any sound that needs an unnatural but interesting ambience. Try combining this reverb with another, longer reverb effect to create a complex moving ambience around the sound. A good sound design tool, given it's strange and unnatural behavior, the CSR Inverse module is particularly at home in all of those situations where reverb is not used to simulate an acoustical space (like with the CSR Room , or CSR Hall Also included in –> *Legal detail T-RackS® is a registered trademark property of IK Multimedia Production. All other product names and trademarks are the property of their respective owners, which are in no way associated or affiliated with IK Multimedia. Product names are used solely for the purpose of identifying the specific products that were studied during IK Multimedia’s sound model development and for describing certain types of tones produced with IK Multimedia’s digital modeling technology. Use of these names does not imply any cooperation or endorsement. LA-2A and 1176 LN are registered trademarks of Universal Audio, Inc. IK Multimedia's products, specifically, the T-RackS 3 Black 76 Limiting Amplifier and T-RackS 3 White 2A Leveling Amplifier, are manufactured and developed by IK Multimedia based on its own modeling techniques. Universal Audio has neither endorsed nor sponsored IK Multimedia's products in any manner, nor licensed any intellectual property for use in this product. Leslie is a trademark property of Hammond Organ/Leslie, wholly-owned brand subsidiaries of Suzuki Musical Instruments Mfg., Ltd. of Hamamatsu, Japan, used under license. Fairchild® is a registered trademark property of Avid Technology, Inc. Pultec® is a registered trademark property of Pulse Techniques, LLC. Mac and the Mac logo are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Windows Vista and the Windows logo are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. QuickTime and the QuickTime logo are trademarks or registered trademarks of Apple Computer, Inc., used under license therefrom. The Audio Units logo is a trademark of Apple Computer, Inc. VST is a trademark of Steinberg Media Technologies GmbH. ARC System™ is a trademark property of IK Multimedia P website search SEARCH Username Password Login Create Account Forgot username and/or password? –> Toggle navigation PRODUCTS COMMUNITY SUPPORT PROMO –> Categories All Products Guitar Recording Creators Instruments Promo Free Software By category Software Guitar FX Guitar Amps Monitors Correction Interfaces Controllers Microphones Synths Accessories By brand TONEX AmpliTube iLoud ARC iRig ReSing T-RackS MODO FEATURED NEW TONEX ONE+ ARC X Immersive TONEX Double Special Signature Collection ReSing Session Singers Showcase ILOUD SUB ARC ON•EAR ARC Studio TONEX Cab × IK MULTIMEDIA close overlay_text_position = col-sm-5 col-sm-offset-7 –> CSR Inverse Reverb Envelope Controlled Reverb CSR Inverse Reverb Info Specs Images Audio TRY FREE TRY FREE ADD TO CART Envelope Controlled Reverb Processor Reverse reverbs were popularized in the 1980's. This type of reverb can be heard on many rock snare drums from this time period. A Reverse reverb applies an envelope (slow attack, fast decay) to the early reflections. The main parameter that affects the sound of this reverb is time. Time can be adjusted for the buildup and cut off of the early reflections. This affects the sound as if it was being reversed in the reverberation, but in actuality it is simply an envelope effect. This type of reverb has been heavily used on drums and percussion. It is also useful with vocals or any sound that needs an unnatural but interesting ambience. Try combining this reverb with another, longer reverb effect to create a complex moving ambience around the sound. A good sound design tool, given it's strange and unnatural behavior, the CSR Inverse module is particularly at home in all of those situations where reverb is not used to simulate an acoustical space (like with the CSR Room , or CSR Hall modules): strange and breathing reverb effects that many pop and rock artists have made large use of in their productions are the bread and butter of this module. Unprocessed Processed Also included in
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| Platform |
Mac and Windows
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| Delivery Format |
Download / Digital License
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| Plug-In Format |
Envelope Controlled Reverb CSR Inverse Reverb Info Specs Images Audio TRY FREE TRY FREE ADD TO CART Envelope Controlled Reverb Processor Reverse reverbs were popularized in the 1980's. This type of reverb can be heard on many rock snare drums from this time period. A Reverse reverb applies an envelope (slow attack, fast decay) to the early reflections. The main parameter that affects the sound of this reverb is time. Time can be adjusted for the buildup and cut off of the early reflections. This affects the sound as if it was being reversed in the reverberation, but in actuality it is simply an envelope effect. This type of reverb has been heavily used on drums and percussion. It is also useful with vocals or any sound that needs an unnatural but interesting ambience. Try combining this reverb with another, longer reverb effect to create a complex moving ambience around the sound. A good sound design tool, given it's strange and unnatural behavior, the CSR Inverse module is particularly at home in all of those situations where reverb is not used to simulate an acoustical space (like with the CSR Room , or CSR Hall Also included in –> *Legal detail T-RackS® is a registered trademark property of IK Multimedia Production. All other product names and trademarks are the property of their respective owners, which are in no way associated or affiliated with IK Multimedia. Product names are used solely for the purpose of identifying the specific products that were studied during IK Multimedia’s sound model development and for describing certain types of tones produced with IK Multimedia’s digital modeling technology. Use of these names does not imply any cooperation or endorsement. LA-2A and 1176 LN are registered trademarks of Universal Audio, Inc. IK Multimedia's products, specifically, the T-RackS 3 Black 76 Limiting Amplifier and T-RackS 3 White 2A Leveling Amplifier, are manufactured and developed by IK Multimedia based on its own modeling techniques. Universal Audio has neither endorsed nor sponsored IK Multimedia's products in any manner, nor licensed any intellectual property for use in this product. Leslie is a trademark property of Hammond Organ/Leslie, wholly-owned brand subsidiaries of Suzuki Musical Instruments Mfg., Ltd. of Hamamatsu, Japan, used under license. Fairchild® is a registered trademark property of Avid Technology, Inc. Pultec® is a registered trademark property of Pulse Techniques, LLC. Mac and the Mac logo are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Windows Vista and the Windows logo are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. QuickTime and the QuickTime logo are trademarks or registered trademarks of Apple Computer, Inc., used under license therefrom. The Audio Units logo is a trademark of Apple Computer, Inc. VST is a trademark of Steinberg Media Technologies GmbH. ARC System™ is a trademark property of IK Multimedia P website search SEARCH Username Password Login Create Account Forgot username and/or password? –> Toggle navigation PRODUCTS COMMUNITY SUPPORT PROMO –> Categories All Products Guitar Recording Creators Instruments Promo Free Software By category Software Guitar FX Guitar Amps Monitors Correction Interfaces Controllers Microphones Synths Accessories By brand TONEX AmpliTube iLoud ARC iRig ReSing T-RackS MODO FEATURED NEW TONEX ONE+ ARC X Immersive TONEX Double Special Signature Collection ReSing Session Singers Showcase ILOUD SUB ARC ON•EAR ARC Studio TONEX Cab × IK MULTIMEDIA close overlay_text_position = col-sm-5 col-sm-offset-7 –> CSR Inverse Reverb Envelope Controlled Reverb CSR Inverse Reverb Info Specs Images Audio TRY FREE TRY FREE ADD TO CART Envelope Controlled Reverb Processor Reverse reverbs were popularized in the 1980's. This type of reverb can be heard on many rock snare drums from this time period. A Reverse reverb applies an envelope (slow attack, fast decay) to the early reflections. The main parameter that affects the sound of this reverb is time. Time can be adjusted for the buildup and cut off of the early reflections. This affects the sound as if it was being reversed in the reverberation, but in actuality it is simply an envelope effect. This type of reverb has been heavily used on drums and percussion. It is also useful with vocals or any sound that needs an unnatural but interesting ambience. Try combining this reverb with another, longer reverb effect to create a complex moving ambience around the sound. A good sound design tool, given it's strange and unnatural behavior, the CSR Inverse module is particularly at home in all of those situations where reverb is not used to simulate an acoustical space (like with the CSR Room , or CSR Hall modules): strange and breathing reverb effects that many pop and rock artists have made large use of in their productions are the bread and butter of this module. Unprocessed Processed Also included in
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| Operating System Compatibility |
Envelope Controlled Reverb CSR Inverse Reverb Info Specs Images Audio TRY FREE TRY FREE ADD TO CART Envelope Controlled Reverb Processor Reverse reverbs were popularized in the 1980's. This type of reverb can be heard on many rock snare drums from this time period. A Reverse reverb applies an envelope (slow attack, fast decay) to the early reflections. The main parameter that affects the sound of this reverb is time. Time can be adjusted for the buildup and cut off of the early reflections. This affects the sound as if it was being reversed in the reverberation, but in actuality it is simply an envelope effect. This type of reverb has been heavily used on drums and percussion. It is also useful with vocals or any sound that needs an unnatural but interesting ambience. Try combining this reverb with another, longer reverb effect to create a complex moving ambience around the sound. A good sound design tool, given it's strange and unnatural behavior, the CSR Inverse module is particularly at home in all of those situations where reverb is not used to simulate an acoustical space (like with the CSR Room , or CSR Hall Also included in –> *Legal detail T-RackS® is a registered trademark property of IK Multimedia Production. All other product names and trademarks are the property of their respective owners, which are in no way associated or affiliated with IK Multimedia. Product names are used solely for the purpose of identifying the specific products that were studied during IK Multimedia’s sound model development and for describing certain types of tones produced with IK Multimedia’s digital modeling technology. Use of these names does not imply any cooperation or endorsement. LA-2A and 1176 LN are registered trademarks of Universal Audio, Inc. IK Multimedia's products, specifically, the T-RackS 3 Black 76 Limiting Amplifier and T-RackS 3 White 2A Leveling Amplifier, are manufactured and developed by IK Multimedia based on its own modeling techniques. Universal Audio has neither endorsed nor sponsored IK Multimedia's products in any manner, nor licensed any intellectual property for use in this product. Leslie is a trademark property of Hammond Organ/Leslie, wholly-owned brand subsidiaries of Suzuki Musical Instruments Mfg., Ltd. of Hamamatsu, Japan, used under license. Fairchild® is a registered trademark property of Avid Technology, Inc. Pultec® is a registered trademark property of Pulse Techniques, LLC. Mac and the Mac logo are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Windows Vista and the Windows logo are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. QuickTime and the QuickTime logo are trademarks or registered trademarks of Apple Computer, Inc., used under license therefrom. The Audio Units logo is a trademark of Apple Computer, Inc. VST is a trademark of Steinberg Media Technologies GmbH. ARC System™ is a trademark property of IK Multimedia P website search SEARCH Username Password Login Create Account Forgot username and/or password? –> Toggle navigation PRODUCTS COMMUNITY SUPPORT PROMO –> Categories All Products Guitar Recording Creators Instruments Promo Free Software By category Software Guitar FX Guitar Amps Monitors Correction Interfaces Controllers Microphones Synths Accessories By brand TONEX AmpliTube iLoud ARC iRig ReSing T-RackS MODO FEATURED NEW TONEX ONE+ ARC X Immersive TONEX Double Special Signature Collection ReSing Session Singers Showcase ILOUD SUB ARC ON•EAR ARC Studio TONEX Cab × IK MULTIMEDIA close overlay_text_position = col-sm-5 col-sm-offset-7 –> CSR Inverse Reverb Envelope Controlled Reverb CSR Inverse Reverb Info Specs Images Audio TRY FREE TRY FREE ADD TO CART Envelope Controlled Reverb Processor Reverse reverbs were popularized in the 1980's. This type of reverb can be heard on many rock snare drums from this time period. A Reverse reverb applies an envelope (slow attack, fast decay) to the early reflections. The main parameter that affects the sound of this reverb is time. Time can be adjusted for the buildup and cut off of the early reflections. This affects the sound as if it was being reversed in the reverberation, but in actuality it is simply an envelope effect. This type of reverb has been heavily used on drums and percussion. It is also useful with vocals or any sound that needs an unnatural but interesting ambience. Try combining this reverb with another, longer reverb effect to create a complex moving ambience around the sound. A good sound design tool, given it's strange and unnatural behavior, the CSR Inverse module is particularly at home in all of those situations where reverb is not used to simulate an acoustical space (like with the CSR Room , or CSR Hall modules): strange and breathing reverb effects that many pop and rock artists have made large use of in their productions are the bread and butter of this module. Unprocessed Processed Also included in
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| Disk Space Requirements |
Envelope Controlled Reverb CSR Inverse Reverb Info Specs Images Audio TRY FREE TRY FREE ADD TO CART Envelope Controlled Reverb Processor Reverse reverbs were popularized in the 1980's. This type of reverb can be heard on many rock snare drums from this time period. A Reverse reverb applies an envelope (slow attack, fast decay) to the early reflections. The main parameter that affects the sound of this reverb is time. Time can be adjusted for the buildup and cut off of the early reflections. This affects the sound as if it was being reversed in the reverberation, but in actuality it is simply an envelope effect. This type of reverb has been heavily used on drums and percussion. It is also useful with vocals or any sound that needs an unnatural but interesting ambience. Try combining this reverb with another, longer reverb effect to create a complex moving ambience around the sound. A good sound design tool, given it's strange and unnatural behavior, the CSR Inverse module is particularly at home in all of those situations where reverb is not used to simulate an acoustical space (like with the CSR Room , or CSR Hall Also included in –> *Legal detail T-RackS® is a registered trademark property of IK Multimedia Production. All other product names and trademarks are the property of their respective owners, which are in no way associated or affiliated with IK Multimedia. Product names are used solely for the purpose of identifying the specific products that were studied during IK Multimedia’s sound model development and for describing certain types of tones produced with IK Multimedia’s digital modeling technology. Use of these names does not imply any cooperation or endorsement. LA-2A and 1176 LN are registered trademarks of Universal Audio, Inc. IK Multimedia's products, specifically, the T-RackS 3 Black 76 Limiting Amplifier and T-RackS 3 White 2A Leveling Amplifier, are manufactured and developed by IK Multimedia based on its own modeling techniques. Universal Audio has neither endorsed nor sponsored IK Multimedia's products in any manner, nor licensed any intellectual property for use in this product. Leslie is a trademark property of Hammond Organ/Leslie, wholly-owned brand subsidiaries of Suzuki Musical Instruments Mfg., Ltd. of Hamamatsu, Japan, used under license. Fairchild® is a registered trademark property of Avid Technology, Inc. Pultec® is a registered trademark property of Pulse Techniques, LLC. Mac and the Mac logo are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Windows Vista and the Windows logo are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. QuickTime and the QuickTime logo are trademarks or registered trademarks of Apple Computer, Inc., used under license therefrom. The Audio Units logo is a trademark of Apple Computer, Inc. VST is a trademark of Steinberg Media Technologies GmbH. ARC System™ is a trademark property of IK Multimedia P website search SEARCH Username Password Login Create Account Forgot username and/or password? –> Toggle navigation PRODUCTS COMMUNITY SUPPORT PROMO –> Categories All Products Guitar Recording Creators Instruments Promo Free Software By category Software Guitar FX Guitar Amps Monitors Correction Interfaces Controllers Microphones Synths Accessories By brand TONEX AmpliTube iLoud ARC iRig ReSing T-RackS MODO FEATURED NEW TONEX ONE+ ARC X Immersive TONEX Double Special Signature Collection ReSing Session Singers Showcase ILOUD SUB ARC ON•EAR ARC Studio TONEX Cab × IK MULTIMEDIA close overlay_text_position = col-sm-5 col-sm-offset-7 –> CSR Inverse Reverb Envelope Controlled Reverb CSR Inverse Reverb Info Specs Images Audio TRY FREE TRY FREE ADD TO CART Envelope Controlled Reverb Processor Reverse reverbs were popularized in the 1980's. This type of reverb can be heard on many rock snare drums from this time period. A Reverse reverb applies an envelope (slow attack, fast decay) to the early reflections. The main parameter that affects the sound of this reverb is time. Time can be adjusted for the buildup and cut off of the early reflections. This affects the sound as if it was being reversed in the reverberation, but in actuality it is simply an envelope effect. This type of reverb has been heavily used on drums and percussion. It is also useful with vocals or any sound that needs an unnatural but interesting ambience. Try combining this reverb with another, longer reverb effect to create a complex moving ambience around the sound. A good sound design tool, given it's strange and unnatural behavior, the CSR Inverse module is particularly at home in all of those situations where reverb is not used to simulate an acoustical space (like with the CSR Room , or CSR Hall modules): strange and breathing reverb effects that many pop and rock artists have made large use of in their productions are the bread and butter of this module. Unprocessed Processed Also included in
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| System Requirements |
Envelope Controlled Reverb CSR Inverse Reverb Info Specs Images Audio TRY FREE TRY FREE ADD TO CART Envelope Controlled Reverb Processor Reverse reverbs were popularized in the 1980's. This type of reverb can be heard on many rock snare drums from this time period. A Reverse reverb applies an envelope (slow attack, fast decay) to the early reflections. The main parameter that affects the sound of this reverb is time. Time can be adjusted for the buildup and cut off of the early reflections. This affects the sound as if it was being reversed in the reverberation, but in actuality it is simply an envelope effect. This type of reverb has been heavily used on drums and percussion. It is also useful with vocals or any sound that needs an unnatural but interesting ambience. Try combining this reverb with another, longer reverb effect to create a complex moving ambience around the sound. A good sound design tool, given it's strange and unnatural behavior, the CSR Inverse module is particularly at home in all of those situations where reverb is not used to simulate an acoustical space (like with the CSR Room , or CSR Hall Also included in –> *Legal detail T-RackS® is a registered trademark property of IK Multimedia Production. All other product names and trademarks are the property of their respective owners, which are in no way associated or affiliated with IK Multimedia. Product names are used solely for the purpose of identifying the specific products that were studied during IK Multimedia’s sound model development and for describing certain types of tones produced with IK Multimedia’s digital modeling technology. Use of these names does not imply any cooperation or endorsement. LA-2A and 1176 LN are registered trademarks of Universal Audio, Inc. IK Multimedia's products, specifically, the T-RackS 3 Black 76 Limiting Amplifier and T-RackS 3 White 2A Leveling Amplifier, are manufactured and developed by IK Multimedia based on its own modeling techniques. Universal Audio has neither endorsed nor sponsored IK Multimedia's products in any manner, nor licensed any intellectual property for use in this product. Leslie is a trademark property of Hammond Organ/Leslie, wholly-owned brand subsidiaries of Suzuki Musical Instruments Mfg., Ltd. of Hamamatsu, Japan, used under license. Fairchild® is a registered trademark property of Avid Technology, Inc. Pultec® is a registered trademark property of Pulse Techniques, LLC. Mac and the Mac logo are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Windows Vista and the Windows logo are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. QuickTime and the QuickTime logo are trademarks or registered trademarks of Apple Computer, Inc., used under license therefrom. The Audio Units logo is a trademark of Apple Computer, Inc. VST is a trademark of Steinberg Media Technologies GmbH. ARC System™ is a trademark property of IK Multimedia P website search SEARCH Username Password Login Create Account Forgot username and/or password? –> Toggle navigation PRODUCTS COMMUNITY SUPPORT PROMO –> Categories All Products Guitar Recording Creators Instruments Promo Free Software By category Software Guitar FX Guitar Amps Monitors Correction Interfaces Controllers Microphones Synths Accessories By brand TONEX AmpliTube iLoud ARC iRig ReSing T-RackS MODO FEATURED NEW TONEX ONE+ ARC X Immersive TONEX Double Special Signature Collection ReSing Session Singers Showcase ILOUD SUB ARC ON•EAR ARC Studio TONEX Cab × IK MULTIMEDIA close overlay_text_position = col-sm-5 col-sm-offset-7 –> CSR Inverse Reverb Envelope Controlled Reverb CSR Inverse Reverb Info Specs Images Audio TRY FREE TRY FREE ADD TO CART Envelope Controlled Reverb Processor Reverse reverbs were popularized in the 1980's. This type of reverb can be heard on many rock snare drums from this time period. A Reverse reverb applies an envelope (slow attack, fast decay) to the early reflections. The main parameter that affects the sound of this reverb is time. Time can be adjusted for the buildup and cut off of the early reflections. This affects the sound as if it was being reversed in the reverberation, but in actuality it is simply an envelope effect. This type of reverb has been heavily used on drums and percussion. It is also useful with vocals or any sound that needs an unnatural but interesting ambience. Try combining this reverb with another, longer reverb effect to create a complex moving ambience around the sound. A good sound design tool, given it's strange and unnatural behavior, the CSR Inverse module is particularly at home in all of those situations where reverb is not used to simulate an acoustical space (like with the CSR Room , or CSR Hall modules): strange and breathing reverb effects that many pop and rock artists have made large use of in their productions are the bread and butter of this module. Unprocessed Processed Also included in
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